The Wall Street Journal has been planning a big push into streaming TV, and courted Feed Me's Emily Sundberg for a show

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The Wall Street Journal has been planning a big push into streaming TV, and courted Feed Me's Emily Sundberg for a show

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Emma Tucker at the WSJ. Magazine 2025 Innovator Awards held at The Museum of Modern Art on October 29, 2025 in New York, New York. (Photo by John Nacion/Variety via Getty Images)

Emma Tucker has been engaged in a video shove at The Wall Street Journal. John Nacion/Variety via Getty Images

The Wall Street Journal has been ramping up its shove into video and had plans for an aspiring slate of streaming TV shows.

Internal documents viewed by Business Insider described an first six-series offering that would contain a flagship live dawn program and an discussion display hosted by the Journal's publishing company in chief, Emma Tucker. The docs are from the summer, and a individual acquainted alongside the Journal's scheme stated that its plans, including dates and partners, are in flux.

The docs stated the Journal had been "in negotiations" alongside creators specified as Feed Me Substacker Emily Sundberg, as fine as alongside the eatery finding phase The Infatuation. Sundberg dropped out of the talks a few weeks ago, Business Insider has learned.

The plans called for the shows to initiate on the Journal's own channels, YouTube, and social media.

Journal genitor business Dow Jones is additionally hiring a caput of programming and content, who would be tasked alongside construction "something aspiring in video." The live job clarification says the function volition pay up to $330,000 in basis salary, and affect evolving endowment that includes workforce and external creators, translating the company's reporting into streaming formats, and creating live and on-demand shows.

The Journal and Dow Jones's attempt shows how news outlets traditionally known for the written term — including The New York Times — are racing to beef up their video offerings in a media landscape that's seeing the two the increase of social video and the decrease of cable TV news. It additionally demonstrates that Tucker is taking a elastic method to the market by looking to the two build shows about in-house talent, including herself, and partner alongside creators and another media companies.

"Expanding our video existence throughout Dow Jones and The Wall Street Journal is a important strategic priority, as we have extensively communicated," a Dow Jones spokesman said. "We are actively hiring guidance to form and execute our go-to-market scheme for video throughout Dow Jones, and we appearance onward to sharing our updated plans whenever ready."

 Emily Sundberg attends the BoF500 Gala during Paris Fashion Week at Shangri-La Hotel Paris on October 03, 2026 in Paris, France. (Photo by Aurore Marechal/Getty Images for The Business of Fashion)

The Journal explored a display alongside Substacker Emily Sundberg.  Aurore Marechal/Getty Images for The Business of Fashion

The Journal name-checked acquainted figures

The inner docs viewed by Business Insider described the live dawn display as a 60-minute-long anchor of the first slate. The docs stated the Journal enlisted several acquainted names in dawn news and video to assistance execute the show. They stated the Journal has been operating alongside the manufacturing business EverWonder, which was cofounded by the erstwhile Time Studios administrator Ian Orefice alongside assistance from Jeff Zucker's RedBird IMI.

Another display in the projected slate in the docs was "The Exchange alongside Emma Tucker," which was billed as a "prestige discussion franchise" that would put viewers "in the area alongside the group operating the earth economy." The documents name-checked top CEOs, including Microsoft's Satya Nadella, JPMorgan Chase's Jamie Dimon, and BlackRock's Larry Fink, as possible guests.

The individual acquainted alongside the Journal's scheme stated the documents represented one of a figure of distinct avenues the outlet was exploring and didn't indicate the current position and form of its efforts. The individual stated the business is in energetic conversations alongside a figure of external group for possible partnerships.

The documents stated the Journal had been "in negotiations" alongside Sundberg — which have since ended — for a display called "Feed Me, On Camera" that would current her "highly engaged, younger creator spectators to WSJ during bringing WSJ's scale, authority, and affluent expert spectators to her world." The docs envisioned all event commencement alongside a "tip, obsession, or inquiry from the Feed Me universe," and following Sundberg to its decision during integrating endeavor environment and reporting from the Journal.

Other shows the docs stated the Journal had explored included one called "Market Price alongside The Infatuation" that would tackle the "business rearward taste, literally." It would merge the traditional authority and young spectators of The Infatuation, now owned by JPMorgan Chase, alongside the Journal's endeavor reporting chops.

Another was "Inside Sports" ("title to change"), a "next generation reboot of 'Real Sports' for the sports-as-an-asset category era," possibly helmed by Emmy-winning TV newsman Armen Keteyian.

The documents stated the Journal had been "in negotiations" alongside The Infatuation and "in discussions" alongside Keteyian. Business Insider could not verify the position of those discussions.

The final sequence listed in the docs was an AI display that aimed to get a big-name host.

 Armen Keteyian speaks at James D. Dunning, Jr.'s Birthday at The NoMad Hotel on June 7, 2017 in New York City. (Photo by Patrick McMullan/Patrick McMullan via Getty Images)

The docs stated the Journal was in talks alongside TV newsman Armen Keteyian to helm a sports show.  Patrick McMullan/Patrick McMullan via Getty Images

The Journal compared its plans to 'The Daily'

In the docs, the Journal expressed big ambitions for a live dawn news show, and stated there had been "nothing new" in the category for a expert spectators "in a decade." The final admission on a timeline included in the preparedness docs was The New York Times' "The Daily" in 2017, which has rotate into a dependable top display on the podcast charts and among the paper's most prosperous launches.

"We see an chance to reinvent the category," the documents said. The Journal additionally has its own regular news podcast, called "The Journal."

Like the Times, the Journal is in a rare stance in a challenged media surroundings to create a transformative investment. The Journal, part of Rupert Murdoch's News Corp., is profitable, helped by an first move to paywall its journalism.

The documents stated that in its video push, the Journal aimed to create 20 hours of video a week, develop to a free, ad-supported streaming (FAST) channel, and add subscription options and another formats as petition warranted. Between WSJ TV, existing video shows, licensed shows, and co-productions alongside creators, the Journal aspired to be an "always-on streaming channel." The individual acquainted alongside the Journal's scheme stated those goals didn't portray its current plans.

 World Premiere Listening Event" during the 2025 Tribeca Festival at The Public Theater on June 05, 2025 in New York City (Photo by Roy Rochlin/Getty Images for Tribeca Festival)

The Journal wanted to create an effect on the flat of The New York Times' "The Daily," hosted by Michael Barbaro.  Roy Rochlin/Getty Images for Tribeca Festival

Tucker took the helm at the Journal in 2023, moving from the Murdoch-owned UK Sunday Times alongside a scheme to addition involvement alongside the Journal's digital products. Digital subscriptions rosy 8% to 4.5 myriad in the three months ended June 30 versus the year-ago period. She has called for additional lively writing and endeavor reporting. The Journal had already begun to reorient its video scheme under its erstwhile caput of video Maral Usefi. Under Usefi, the video squad had grown by a third, to 65 people, as of April. She was succeeded by Samantha Henig, who was hired in July to guide a new multimedia team.

The docs stated that alongside the Journal's new effort, it aimed to merge its authority and measure alongside the character of creator-led media and contemporary distribution. In conditions of audience, it intended to attain a younger viewership than the traditional endeavor TV spectators and additional decision-makers than creator-led media.

It projected reaching concerning 75 myriad viewers through Dow Jones' social reach, upward of 5.6 myriad monthly observe hours by its 2028 financial year, and ad rates that were three to five times what endeavor satisfied on YouTube commands. The individual acquainted alongside the Journal's scheme didn't say if those figures represented its current ambitions.

The Journal made a big shove into first video additional than a decade ago, including the initiate of video app WSJ Live in 2011 and expanding to episodic video doc series. Publishers general have newly reprioritized video amid the increase of short-form content, YouTube's expanding fame on TV screens, and the achievement of new live shows akin TBPN.

While embracing creator talent — and getting its own personnel engaged in video satisfied — could assistance the Journal attain a younger audience, it comes alongside risks. Journalists who become on-camera talent can frequently command higher paydays, or defect to commencement their own ventures, akin The New York Times' "Hard Fork" hosts Kevin Roose and Casey Newton did recently. Creators frequently have their own audiences, which provision them leverage complete a news institution that personnel reporters power not have.

Flagship video shows are additionally costly to produce, which makes elevated ad rates crucial to the Journal's achievement alongside this slate. The inner docs explored pitching a assortment of ways for advertisers to get involved, including as initiate partners, alongside category-exclusive partnerships, and as "moment partners" tied to important news events akin elections, earnings, and WSJ specials.

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Lucia Moses covers the media and amusement business, alongside a concentration on how creators build businesses, how media companies intersect alongside creators, and how marketers clasp amusement tools. She's damaged stories concerning MrBeast's ambitions, Google's movie initiative, and Netflix's shove into podcasts.She earlier reported on media and managed teams at Digiday and Adweek.

Nathan is the media and promotion publishing company for Business Insider and was earlier the amusement editor, as fine as an publishing company and newsman for the tech section.He runs BI's media endeavor team, which chiefly covers the creator economics and the endeavor of social media, the development of streaming, and the forthcoming of advertising.He edits the  CMO Insider newsletter, which features exclusive reporting on promotion and the creator space.He has overseen multiple award-winning projects at BI.He coedited Jason Guerrasio's characteristic on the rise and autumn of MoviePass, which won a New York Press Club Award and a National Arts & Entertainment Journalism Award from the Los Angeles Press Club.BI's reporting on MoviePass served as the basis for the HBO documentary "MoviePass MovieCrash." Nathan is interviewed in the documentary and was a adviser during production.He's worked on another stories that have won or been finalists for NAEJ Awards from the LA Press Club.They include:

He chiefly edits the activity of reporters Lucia Moses, Lara O'Reilly, Dan Whateley, Sydney Bradley, and James Faris.Nathan graduated from Syracuse University's S.I. Newhouse School of Public Communications alongside a master's flat in reporting in 2015, and from Columbia University in 2011.

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