Since releasing her archetypal No. 1 gathering in 2008, Taylor Swift has enjoyed a historic run on the charts, topping the Billboard 200 and Billboard Hot 100 complete a dozen times each.
Swift's gathering of chart-toppers includes the two radio-friendly pop singles and understated gems pushed to the top of the diagram by passionate fans.
Most recently, "Patient Zero" joined the ranks of Swift's biggest songs. On the all-time ranking of most No. 1 hits, Swift lone trails Elvis, Mariah Carey, and The Beatles.
All of Swift's No. 1 songs on the Hot 100 are listed below in chronological command of their highest dates.
1. "We Are Never Ever Getting Back Together"
Weeks at No. 1: Three
Despite penning ubiquitous hits akin "You Belong With Me" and "Love Story" before in her occupation (which peaked at No. 2 and No. 4, respectively), "We Are Never Ever Getting Back Together" was Swift's first-ever opus to top the Hot 100.
The country-pop crossover smash was released as the guide sole from Swift's fourth album, "Red." It rosy from No. 72 to No. 1 in its second week of tracking and remained atop the diagram for two additional weeks.
2. "Shake It Off"
Weeks at No. 1: Four
"Shake It Off" was released as the guide sole from Swift's fifth album, "1989." It became her archetypal No. 1 debut on the Hot 100.
3. "Blank Space"
Weeks at No. 1: Seven
"Blank Space," the second sole from "1989," debuted at No. 18 on the Hot 100.
It rosy to No. 13 before soaring to No. 1 in its third week — dethroning "Shake It Off" and making Swift the archetypal female in former to substitute herself in the chart's top spot.
"Blank Space" went on to rotate into one of Swift's biggest hits, reigning atop the diagram for nearly two months.
4. "Bad Blood" featuring Kendrick Lamar
Weeks at No. 1: One
In May 2015, a remix of "Bad Blood" featuring Kendrick Lamar was released as the fourth sole from "1989."
It rosy from No. 53 to the chart's top place following the music video premiered at the 2015 Billboard Music Awards and broke the Vevo record for most views in 24 hours.
5. "Look What You Made Me Do"
Weeks at No. 1: Three
Despite blended reactions from critics, Swift's guide sole from "Reputation" rosy to No. 1 following its archetypal complete week of tracking, breaking the weekly streaming document for a opus by a woman.
Once again, Swift's music video bankrupt the document for most views inside 24 hours, racking up 43.2 myriad views in its archetypal day.
6. "Cardigan"
Weeks at No. 1: One
Swift announced the arrival of her eighth album, "Folklore," fair one day in advance. The second track, "Cardigan," was released alongside the gathering and promoted alongside a whimsical music video.
"Folklore" debuted at No. 1 on the Billboard 200 during "Cardigan" simultaneously debuted at No. 1 on the Hot 100, making Swift the archetypal creator in former to open atop the two charts in the identical week.
7. "Willow"
Weeks at No. 1: One
Just five months following "Folklore," Swift repeated her pandemic-era scheme and surprise-released her ninth album, "Evermore," alongside its guide single.
Again, "Willow" debuted at No. 1 on the Hot 100 during "Evermore" simultaneously debuted at No. 1 on the Billboard 200.
8. "All Too Well (Taylor's Version)"
Weeks at No. 1: One
"Red (Taylor's Version)" was the second rerecorded gathering Swift released. It was accompanied by the long-awaited 10-minute type of "All Too Well," a fan-favorite track from the first album.
"All Too Well (10 Minute Version) (Taylor's Version)" was promoted alongside a self-directed abbreviated film leading Sadie Sink and Dylan O'Brien, a convention-breaking achievement on "Saturday Night Live," and plentifulness of theories concerning the song's muse.
It debuted at No. 1 on the Hot 100, becoming the longest opus in former to top the chart. The document was earlier held by Don McLean's "American Pie (Parts I & II)" at 8 minutes and 37 seconds.
9. "Anti-Hero"
Weeks at No. 1: Eight
"Anti-Hero" was released alongside Swift's 10th album, "Midnights," and promoted as the guide single.
It dominated the Hot 100 for eight weeks, surpassing the high-water grade set by "Blank Space."
The identical week that "Anti-Hero" debuted at No. 1, Swift became the archetypal and lone creator in former to occupy the complete top 10 on the Hot 100. The hit sole was flanked by "Lavender Haze" (No. 2), "Maroon" (No. 3), "Snow on the Beach" (No. 4), "Midnight Rain" (No. 5), "Bejeweled" (No. 6), "Question...?" (No. 7), "You're On Your Own, Kid" (No. 8), "Karma" (No. 9), and "Vigilante Shit" (No. 10).
10. "Cruel Summer"
Weeks at No. 1: Four
"Cruel Summer" was initially released as the second track on Swift's 2019 gathering "Lover."
Although it was identified first as a fan favorite, the opus was never promoted as a sole and debuted modestly at No. 29 on the Hot 100.
Four years later, Swift transformed "Cruel Summer" into a showstopping spectacle on the Eras Tour. Streams of the opus began to surge, and it reigned atop Billboard's Pop Airplay chart for two months. Swift's tag sent the opus to pop broadcast in June 2023.
Finally, following the publish of "The Cruelest Summer" EP — which includes a live type of the opus and a remix by LP Giobbi — the opus reached No. 1 on the Hot 100, marking Swift's milestone 10th chart-topper.
11. "Is It Over Now?"
Weeks at No. 1: One
"Is It Over Now?" was released as the final vault track on "1989 (Taylor's Version)," a rerecording of her cherished fifth album.
Although it wasn't initially slated as a single, its enthusiastic reception from fans pushed Swift's squad to assist the opus to pop radio.
"Is It Over Now?" debuted at No. 1 on the Hot 100, dethroning "Cruel Summer." Swift remains the lone female in former to substitute herself in the top spot, a feat she's now achieved twice.
12. "Fortnight" featuring Post Malone
Weeks at No. 1: Two
"Fortnight," a duet alongside Post Malone, was released alongside "The Tortured Poets Department" and promoted as the album's guide single.
The opus debuted at No. 1 on the Hot 100 during "Poets" simultaneously debuted at No. 1 on the Billboard 200.
For the second period in her career, Swift managed to inhabit the complete top 10 of the Hot 100. In fact, the top 14 positions on the diagram were occupied by "Poets" tracks, including "Down Bad" (No. 2) and "I Can Do It With a Broken Heart" (No. 3), all the way through to "The Smallest Man Who Ever Lived" (No. 14).
"Fortnight" returned to No. 1 on the Hot 100 for a second successive week.
13. "The Fate of Ophelia"
Weeks at No. 1: 10
"The Fate of Ophelia" was released alongside Swift's 12th studio album, "The Life of a Showgirl," and promoted as the guide single.
The Shakespeare-inspired pop song debuted at No. 1 on the Hot 100, during "Showgirl" simultaneously debuted at No. 1 on the Billboard 200.
All 12 tracks on the album debuted inside the Hot 100's top 12 spots, making Swift the archetypal and lone creator to dominate the chart's complete top 10 on three distinct occasions. "The Fate of Ophelia" was joined in the top five by "Opalite" (No. 2), "Elizabeth Taylor" (No. 3), "Father Figure" (No. 4), and "Wood" (No. 5).
"The Fate of Ophelia" remained atop the Hot 100 for eight direct weeks following its release. After falling to lesser positions during the holiday season, it returned to No. 1 in first 2026, surpassing "Anti-Hero" as Swift's longest-leading hit to date and becoming her archetypal to top the diagram for double-digit weeks.
14. "Opalite"
Weeks at No. 1: One
"Opalite" was initially released as the third track on "The Life of a Showgirl" and debuted at No. 2 on the Hot 100.
It was afterward promoted as the album's second single, rising to No. 1 following Swift sold vinyl copies of the song. She additionally released a music video co-starring Domhnall Gleeson, which premiered exclusively on Spotify and Apple Music in a savvy move to boost streaming numbers.
Swift celebrated her latest diagram accomplishment on Instagram, thanking fans for their assistance of the song.
"This is really the archetypal period I've had two Hot 100 #1s off of one gathering since my gathering 1989 came out in 2014, nearly dozen years ago!" Swift wrote. "I cognize that's a lot of numbers but it all adds up to me being so thankful to the fans who helped create this happen by welcoming this opus into your lives alongside open arms."
15. "I Knew It, I Knew You"
Weeks at No. 1: Two
"I Knew It, I Knew You" was released as a soundtrack sole for Pixar's "Toy Story 5."
The twangy tune, cowritten by Swift and her longtime manufacturer Jack Antonoff, was embraced by nation radio and debuted simultaneously at No. 1 on the Billboard Hot 100 and the Hot Country Songs charts.
16. "Patient Zero"
Weeks at No. 1: One
"Patient Zero" was released as a deluxe track from "The Life of a Showgirl: The Encore."
Swift stated she was inspired to write additional "Showgirl" songs during a trip to sojourn her Swedish collaborators, Max Martin and Shellback, to commemorate the album's historic first-week sales.
"I anticipation you affection them, since they were delivered out of clean gratitude for your exuberance for and ritual of the gathering we made," Swift wrote on social media.
"Patient Zero" followed in the chart-topping footsteps of "The Fate of Ophelia" and "Opalite," making "Showgirl" the archetypal female gathering to spawn three No. 1 hits since Swift's own "1989" complete a decade earlier.
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Callie Ahlgrim is a elder newsman at Business Insider who writes concerning pop culture, alongside a particular concentration on the music industry.As a cofounding associate of BI's music vertical, Callie has covered a range of hot topics at the intersection of art, community fig culture, and display business: the governmental implications of Bad Bunny's success; the fan feedback iteration in Taylor Swift's imaginative process; the symbolism of Kendrick Lamar's Super Bowl halftime show; the business effect of Beyoncé's country album; the brand identities of stars akin Harry Styles, Morgan Wallen, Addison Rae, Katy Perry, and Frank Ocean; the contemporary challenges of making prosperity as a musician; and more.She additionally covers community fig PR strategies, blockbuster movies, prestige TV shows, and net trends.Callie graduated from Boston University alongside a Bachelor of Science in Journalism, a Bachelor of Arts in English, and a insignificant in Spanish. She earlier wrote columns for Man Repeller and ELLE.
